When I was a child, one of the many world-famous paintings I loved featured melting clocks, which left a deep impression on me, though I never knew the artist's name. At the end of June this year, my wife and I had the fortune to visit the Dalí Museum in St. Petersburg, where I was astonished to realize that the masterpiece I had long admired was created by this very artist. Dalí, along with Picasso and Miró, is considered one of the three great Spanish artists of the 20th century. He was a surrealist painter. Throughout the exhibition, I could clearly see the artist’s obsession and dedication to his craft, as well as the evolution of his style across different periods. First, I visited Dalí's later works, mostly created between the 1960s and 1970s. Most of these pieces are surrealist works created using etching or lithography. The primary motivation for using printmaking techniques was their reproducibility. It is evident that in his later years, Dalí preferred printmaking as
Thinking independently about the world, unshackled from dependencies. This is Ning Liu's personal blog, a space dedicated to casual musings